College Street by Olindo Romeo Chiocca

This book is so short - it's a novella, really, a series of brief vignettes in a life barely glimpsed. It seems unfair to review it as a novel, as my main complaints would certainly be resolved in a longer book. But, it is what it is.

The story follows a young man, Bruno, who lives with his family in Toronto's Little Italy neighbourhood (College St. west of Bathurst and the surrounding residential streets). He works at a local (real!) restaurant, Trattoria Giancarlo, where he has been tasked with planning the party for the head chef's upcoming birthday. At the same time, he is planning a trip to Italy. His father's family has recently sold the land they owned, so Bruno must come up with a way to basically smuggle the cash from the sale back into Canada.

Throughout all this there is a romantic subplot, as Bruno breaks up with his girlfriend and begins seeing someone from his childhood who he ran into at a family wedding. There is simply no room in these pages to squeeze any character development, so we don't really know much about this girl except that she's super hot.

On the plus side, the author has a gift for description in a cultural sense, and really gets to the heart of Little Italy so the neighbourhood practically jumps off the page. The atmosphere is definitely perfect. There are also some very funny scenes, like the two funerals (one Italian, one Portuguese) at adjacent churches letting out at the same time, leading to a confused traffic snarl, and eventually to a dramatically bereaved Portuguese woman throwing herself on the wrong coffin.

Unfortunately, the book lacks in character development - there is not a well-drawn character in the book. Bruno is constantly in action, so it is hard to know what he's actually like, and the supporting cast are reduced to one character trait each. In a longer book this would probably be a serious flaw, but here the whole thing is over so fast, it almost doesn't matter.

What I found most frustrating about the story is the lack of conflict. Bruno has two issues to deal with: the party, and the money. But after stating each of these problems, the story is basically him deciding how to solve them, and then doing so. There is no tension, and with no full characters to attach to, it is difficult to get emotionally involved at all.

The book was a quick read, but most likely a forgettable one. I would love to read more from this author, who has a great style, but needs to trust himself to get involved with the characters and write something longer, with a bigger vision.

Three CN Towers out of five.

The Secret Mitzvah of Lucio Burke by Steven Hayward

The first time I visited Toronto as an adult, without my parents, was about four years ago. My good friend Matt was living here at the time, in a house on the edge of Christie Pits. He met me and the friend I was traveling with at Christie Station and we walked through the park, down into the pit and up the other side. It was February then and so it was difficult to get an idea of the park, but Matt pointed out where everything would be when the snow cleared: the playground, the community garden, the baseball diamond. He told us about the riot on the baseball field that had happened in the summer of 1933; anti-Semitic rabble rousers had showed up to a baseball game with a Swastika flag, and the largely Jewish audience and roster confronted them, the fight spilling out on to Bloor Street.

I already felt a sort of personal connection then, however distant, with this book when I picked it up, because it deals with that same riot, building a large and detailed history around it so that the baseball game itself doesn't start until about 20 pages before the end of the book. The story itself follows a few of the key players through a few days in their ordinary lives in Toronto, 1933. Ruthie the Commie, an amazing and impressively written character, who knows that her looks keep her in employment at the fur store and struggles with the ethical dilemma of living as someone who benefits immensely from capitalism and the beauty standard, while trying to organize a walk-out among the wage slaves of the Spadina sweatshops. Lucio Burke, a not-quite-Italian, not-quite-anything-else teenager who is in love with Ruthie, and whose longing to belong somewhere is maybe the most pervasive unarticulated theme of any novel I've read. Dubie Diamond, obsessed with Darwin, who cuts off his own finger to speed up his evolution.

Obviously this is a character-driven story, and sometimes I found it a bit difficult to keep up; most of the time the author deals with three generations of each family, and there are lots of backstories and histories interspersed throughout the narrative, so at some points I kind of lost track of who was related to whom. I should have made myself a chart.

What I loved so much about this novel was the way Hayward covers so many issues without even mentioning most of them. This book deals with themes of race, war, politics, power, democracy, adolescence, belonging, family, religion, faith, immigration, mortality and multiculturalism, but I didn't actually realize it until I had put it down. I have never read an author who can so expertly grapple with heavy subjects without letting the story slip away from him. I wasn't spellbound throughout, but I was never bored, and I never felt preached to.

This is another book that puts Toronto front and centre - it literally could not have been set anywhere else. I was glad to read it now because the Toronto of the 1930s is not something I am familiar with at all, and it was cool to read about the garment workers of Spadina, the knife salesmen in the St. Lawrence Market, and the old College streetcar. Most of the characters live on Beverly Street (one of them buys a house there for $500 cash!) and a couple live on Clinton Street at College (Little Italy seems to be a popular place to set Toronto stories). Of course Christie Pits plays a big role, especially near the end, and there is a big baseball scene set at Withrow Park - which I read on the streetcar just as the robotic voice announced: "Next stop, Withrow Avenue.". The story definitely has a very Toronto flavour, and it was fascinating to see the struggles of early multiculturalism, as well as many burgeoning movements like Communism and (I think I saw it!) feminism.

In case it isn't clear, I adored this book. I highly recommend it to anyone who loves a good story, but especially to those interested in the everyday life of Jewish and Italian immigrants in 1930s Toronto. I promise you won't be disappointed.

Four CN Towers out of five.